Best 437 quotes in «heroes quotes» category

Ability and talent never loose the value, because demand for it highly exceeds the supply of it.

A certain way to have financial security in life is not enough savings, but enough ability.

After September 11th, I never much liked the trend of everyone and his brother wearing the hats and jackets of the NYPD and FDNY. Only the people who do the job should get to wear the hat. Would you wear someone else's Medal of Honor? Yes, it's a tribute, and sincere tribute is always appropriate for these brave people. But wearing their symbols is also rubbing off a piece of heroism that isn't yours.

A hero: a man or woman who is unsatisfied by his condition, and resolves to do something about it.

A heroic act is not always followed by glory and parades and forever freedom,” she said. “It’s often small, disregarded, or forgotten. But it matters.

A boy adopts a hero for two reasons: because a hero captivates his soul and serves as a projection of his innermost self; and, because a hero seems to have solved many problems that may worry a boy, or at least demonstrates the capacity to solve them. The hero is an idealization of successful living, even though he may die in a story. The death may be gallant, brave, tragic, or perhaps even foolhardy. But living or dead, a hero is the stylistic embodiment of living on one’s own terms – noble terms, grand terms, exciting terms – terms, in short, that complement any youth’s uncorrupted, untamed, unabridged projection of what is possible to him in life

All those square-jawed heroes of the old science fiction stories had it wrong. You can't save the world as we know it. I did what I could, and I did some good in the world. But you can't save the world without changing it.

Ah, the world was ever so. How sad are heroes when their tasks are done...

All of us, together, are the unlovable, the unreformable. We, the people, who are deemed incapable of existing alongside society. But, we did just that in the forming of this guild. We have done more than simply build a place to sleep and eat and plan elaborate heists. We have found a place that we, at long last, belong. All of you remember how important that feeling was the first time you truly experienced it here… This guild is more than just an organization and a council and various members. To me, from the beginning, this guild has been a family. It is a place for people like us, the ones who had no place of their own. We made it ourselves, carved out a space in the world that we could call home.

Almost all heroism is designed to make you inert by placing it in a context that you can't possibly act on.

And who are you really, Tallis? Are you going to be the hero of Selkirk, rather than its monster? A promise of hope, rather than a warning of darker things to come?

Anyone can be a hero, even those who cannot!

Anyone can be a hero, even those who cannot. They just have to believe.

Anyway, if you need your heroes to be perfect, you won't have very many. Even Superman had his Kryptonite. I'd rather have my heroes be more like me: trying to do the right thing, sometimes messing up. Making mistakes. Saying you're sorry. And forgiving other people when they mess up, too.

A pair of starfighters. Jedi starfighters. Only two. Two is enough. Two is enough because the adults are wrong, and their younglings are right. Though this is the end of the age of heroes, it has saved its best for last.

As a general man I tried watching movies, playing sports, going to picnics and other entertainments but I still got bored, then I tried heroism and now I am hero, and I never get bored.

And you, You can be mean And I, I'll drink all the time 'Cause we're lovers, And that is a fact Yes we're lovers, And that is that - "Heroes"

As heroes, we should be secure in our glory and masculinity while recognizing the strength and nobility of women, as well!

Aside from the encounter with the Sphinx, there is little in Oedipus to connect him to the common run of Greek heroic figures. He strikes us today as a modern tragic hero and political animal; it is hard to picture him shaking hands with Heracles or joining the crew of the Argo. many scholars and thinkers, most notably Friedrich Nietzsche in his book The Birth of Tragedy, have seen in Oedipus a character who works out on stage the tension in Athenians (and all of us) between the reasoning, mathematically literate citizen and the transgressive blood criminal; between the thinking and the instinctual being; between the superego and the id; between the Apollonian and the Dionysian impulses that contend within us. Oedipus is a detective who employs all the fields of enquiry of which the Athenians were so proud -- logic, numbers, rhetoric, order and discovery -- only to reveal a truth that is disordered, shameful, transgressive and bestial.

As I stated earlier, I do not believe there is anything inherently wrong with even the most overused elements of epic fantasy. Magic swords, dragons, destined heroes -- even dark lords and ultimate evils can legitimately be used in literature of serious intent, not just mocked in satirical meta-fiction. To claim that they cannot would be much the same as claiming that nothing good can ever again be done with fiction involving detectives, or young lovers, or unhappy families. The value of a fictive element is not an inherent quality, but a contextual one, determined by its relationship to the other elements of the story it is embedded in. In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.

As the four girls were taking her father's life, she had tried to rush onto the stage. But two old university janitors held her down and whispered into her ear that she would lose her own life if she went.

As long as I live, I will always remember those wee children standing at the railing on that ship." - John Hanlon, the sailor

Because it is on the anvil of pain that the gods forge heroes.

Being a good mother is being a hero. Right?

Be the hero, the example and the perfection that you are.

Bet herojų ilgesys išlieka

As an observer of human nature, let's just face the facts: stupid stuff sells, and often the more stupid and silly it is, the better it sells.

As you get older, it’s more difficult to have heroes, but it’s just as necessary.

A true hero make people feel like he is part of their family.

A world without heroes is only a world with either mere men or men with wit and courage who never had the courage to take steps that could write great and amazing stories of life!

Bad people often end up as heroes.

Because right now, I'm worse than dead. I'm forgotten.

Between natural ability and education choose natural ability, as it will keep you happy and will fetch you the glory sooner.

As the Great Magician says, there will always be trouble in the world. That’s why I say, there will always be a time for heroes.

Blobfish, the guy who snapped a hamsters neck, myself, the homeless guy who has never thrown a punch (but has killed a fox) and Dickface, the man obsessed with trees and touching himself in public, follow an arrogant midget into the home of a pale creature I am certain will kill us all, to save the life of an ungrateful bastard parrot called Madness. The temperature drops further. A cold night for heroes.

Bleeding from the ear. Oh Jesus, God. That was on the list for not applying pressure. But what did that mean? I couldn't remember. Couldn't think. "Is he okay?" "You dropped a two-hundred pound log on his head!" I screamed at Nathan. The air shuddered around us; the building itself seeming to tremble. "I didn't mean-" "Shut up, man," Marco said, swatting at Nathan's arm. "Joss, you need to calm the fuck down." "Calm down? Calm down?!" Energy pulsed around us, hot, thick, pricking at my eyes. Above, lights flickered, dimmed. A bulb shattered somewhere, and glass came tinkling down.

Besides, two kinds of people have the courage to make someone else's decisions: the hero, who comes to your rescue when you can't even cry out for help, and the tyrant. The only difference between them is the hero listens. As soon as you can talk, he'll put you down if you say so.

But at some point it becomes obvious that, ultimately, the adventure of faith is the most sensible thing to do, and in fact the only thing worth doing. As Sam says toward the end of The Two Towers, no one remembers the tales in which the characters give up and turn back. Great and heroic deeds remain undone if no one leaps into the dark to do them. That's true when it comes to faith, too. You can't play a meaningful role in the great story by playing it safe. Once you hit the road, there is no going back to life as it was before. When Jesus asks His disciples if they will leave him to, Peter says, "Lord to whom will we go?" (verse 68). It's either walk with Jesus, unsafe as it seems sometimes, or go home.

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But cannot we live as though we always loved? It was this that the saints and heroes did; this and nothing more.

But hope, like heroes, can prove hard to kill.

But heroes, at times, had to be fools.

But we should search for the strange and surprising in the world, not within ourselves! To search within, to think so long and hard about our own selves, would only make us unhappy. This is what had happened to the characters in my story: for this reason heroes could never tolerate being themselves, for this reason they always wanted to be someone else.

But no man's a hero to himself.

But are they heroes or mere dreamers?

By connecting your inner child to your internal being, you bring out the hero in you that is inside all of us.

By doing ordinary actions efficiently you will become the best among ordinary, but you will not be an extraordinary.

"Crazy," he muttered softly, "how much I need you." Crazy, how something like that can feel like a kick in the chest, can hurt that much, can suck all the air right out of your body for a moment. And at the same time, settle over you, around you, so soft and warm and sweet, that you think nothing can ever be as good as this one moment. Crazy. That I can love you. This much.

Charms and oaths and guardian spirits were all the product of a need for something to believe in because people didn’t believe in themselves, a need to let problems resolve on their own rather than confront them. People were predominantly fearful of disruption, even of the things they found overbearing, even as they attempted to wish them away. It was why they invented heroes. It was why the world suffered through long periods of stagnation between innovations. Because rather than change the things that needed change, people preferred to cower and wait until a hero arrived to do it for them. Assuming by that point it was not already too late.

By the time I wrote this book I needed to look at heroics from outside and underneath, from the point of view of the people who are not included. The ones who can’t do magic. The ones who don’t have shining staffs or swords. Women, kids, the poor, the old, the powerless. Unheroes, ordinary people—my people. I didn’t want to change Earthsea, but I needed to see what Earthsea looked like to us.