Best 1203 quotes in «tragedy quotes» category

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    Soon his body was quiet.

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    Sorry. Don't need sorry. Not in this house. Sorry laid the hearth here. Sorry ways and sorry people and heavensent grief and heartache to make you pine for your death.

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    So our virtues Lie in the interpretation of the time: And power, unto itself most commendable, Hath not a tomb so evident as a chair To extol what it hath done. One fire drives out one fire; one nail, one nail; Rights by rights falter, strengths by strengths do fail.

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    Such was the cyclical nature of Galway life: finding tragedy in the simple things and simplicity in the tragic things.

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    Sure, some news is bigger news than other news. War is bigger news than a girl having mixed feelings about the way some guy fucked her and didn't call. But I don't believe in a finite economy of empathy; I happen to think that paying attention yields as much as it taxes.

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    Sözlerinizde ki öfkeyi anlıyorum. Ama sözlerinizi değil...

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    Suffering is the fire by which love is tested.

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    Such a tragic exhibition resembles a comet's course, hardly visible at first, revealing itself only to the eyes astronomic eye, appears in nebulous distance in heavens, but soon soars with unheard-of and accelerating rapidity towards the central point of our system, scattering dismay among the nations of the earth, till, a moment, when least expected, with its portentous tail it overspeads half of the firmament with resplendent flame.

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    Talkatives complain, cry, shout, brag, and are more hysterical about their lives than something else; don’t be a part of that tragedy! Perhaps it's been a while now that you have been complaining, crying and shouting about your "labour pains". It's time to show us your baby!

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    TEIRESIAS: I tell you, king, this man, this murderer (whom you have long declared you are in search of, indicting him in threatening proclamation as murderer of Laius)- he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he'll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way before him with a stick. He shall be proved father and brother both to his own children in his house; to her that gave him birth, a son and husband both; a fellow sower in his father's bed with that same father that he murdered. Go within, reckon that out, and if you find me mistaken, say I have no skill in prophecy.

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    TEIRESIAS: You have your eyes but see not where you are in sin, nor where you live, nor whom you live with. Do you know who your parents are? Unknowing you are enemy to kith and kin in death, beneath the earth, and in this life.

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    Tell her I'm sorry I sold the diamond, eh?" Sammy said. "I broke my promise. When she disappeared in Alaska... ah, so long ago, I finally used that diamond, moved to Texas as I always dreamed. I started my machine shop. Started my family! It was a good life, but Haze; was right. The diamond came with a curse. I never saw her again." "Oh, Sammy," Hazel said. "No, a curse didn't keep me away. I wanted to come back. I died!" The old man didn't seem to hear. He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me.

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    TEIRESIAS: Alas, how terrible is wisdom when it brings no profit to the man that's wise! This I knew well, but had forgotten it, else I would not have come here.

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    That's what makes a tragedy a tragedy. There's no rhyme or reason to it, only heartbreak. The only thing you can do when the ground stops shaking and the waters recede is try to save whoever's left.

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    That's the most terrible thing about being a child; you're convinced that it's all your fault." Lulu

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    Tell Philip Arnslade that I'm going to blow his fucking brains out. " "Mr. Arnslade will be most relieved.

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    The best thing you can say to someone going through a tragic loss is not that "It's going to be alright" It is: "Hold on tight because this is going to hurt like hell".

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    That we cannot rise equal to situations when we are in them — that is the tragedy of life.

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    The blood of too many, dissolving the very stain.

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    The cliche that sea dry up and rocks rot away, but the heart never changes is nothing but a beautiful fantasy.

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    The definition of tragedy is when people do not communicate yet struggle to conceal the pain.

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    The deep vexation of is inward soul Hath served a dumb arrest upon his tongue; Who, mad that sorrow should his use control, Or keep him from heart-easing words so long, Begins to talk; but through his lips do throng Weak words, so thick come in his poor heart's aid, That no man could distinguish what he said.

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    THE DIFFERENCE BETWEEN ME AND YOU When I hold a rose, I see the soft, velvety petals and smile, because tucked between those precious petals is a special gift - the one of a fragrance, pure and sweet. When you hold a rose, you see the thorns along the stem, and you frown because those thorns can bring you pain and cause you to bleed. I see the gift. You see the tragedy. More and more I fear that one of these days someone will hand me a rose and all I will see are thorns. Talk about tragedy.

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    The dog next-door had settled down, and the neighbourhood seemed stunned by this event occurring in our backyard. It was like it could sense it. It could sense some form of tragedy and helplessness being played out, and to tell you the truth, it all surprised me. I was so used to things just going on, oblivious and ignorant to all feeling.

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    The afternoon light brightening the green in her eyes, her tan skin the last memory of fall

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    The boundaries were destroyed; it was all in the open, the rotting animal of her soul, the tickling sickness in the tumultuous cacophony in her mother's vibrating skull that spoke only to itself in everlasting distortions.

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    The cloud is my sister, the wind a brother to me.

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    The greatest drawback to true love was that once true love unexpectedly ends there is no other romance that can replace it. Romance instead becomes a race, with one’s new beau consistently failing to meet up to the grand expectations set by the meaning of one’s existence. The only one.

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    The greatest love stories go untold, don’t they?

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    The greatest tragedy to ever happen to a nation is not the incidences of war or terrorism. It's when more bookshops close down and more drinking bars are opened to replace them!

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    The human race is unimportant. It is the self that must not be betrayed." "I suppose one could say that Hitler didn't betray his self." "You are right. He did not. But millions of Germans did betray their selves. That was the tragedy. Not that one man had the courage to be evil. But that millions had not the courage to be good.

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    The human race has the capacity to render itself extinct unless alternatives are found to the patterns of intraspecific warfare that have dominated civilized history. Ours has long been a predatory species. Living, for humans, depends upon the ability to kill as clearly as it does for lions or wolves. But lions and wolves, like almost all predatory species, normally limit their killing to prey animals, and they are equipped with elaborate ritual precautions to prevent the destruction of their own kind. Humans appear to be unique among predators in their enthusiasm to destroy members of their own species. Perhaps this unusual behavior can be attributed to some genetic deficiency which may lead humans ultimately to join the rest of nature's failures in the biological graveyard of extinction. Or perhaps our willingness to kill ourselves, like so many of our other problems, is something we have devised by misusing our enlarged brains.

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    The importance we give our disappointment is what turns it into a tragedy.

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    – The life of the worlds is a roaring river, but Earth’s is a pond and a backwater. – The sign of doom is written on your brows – how long will ye kick against the pin-pricks? – But there is one conquest and one crown, one redemption and one solution. – Know yourselves – be infertile and let the earth be silent after ye.

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    The kind of death you should mourn over is the one that happen when you abort your potentials prematurely! Life without purpose is a tragedy!

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    The myth of Oedipus . . . arouses powerful intellectual and emotional reactions in the adult-so much so, that it may provide a cathartic experience, as Aristotle taught all tragedy does. [A reader] may wonder why he is so deeply moved; and in responding to what he observes as his emotional reaction, ruminating about the mythical events and what these mean to him, a person may come to clarify his thoughts and feelings. With this, certain inner tensions which are the consequence of events long past may be relieved; previously unconscious material can then enter one's awareness and become accessible for conscious working through. This can happen if the observer is deeply moved emotionally by the myth, and at the sametime strongly motivated intellectually to understand it.

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    The mixture of the grotesque and the tragic is agreeable to the spirit, as are discords to the jaded ear.

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    The ferocity of Santiago Nasar's fate, which had collected twenty years of happiness from him not only with his death but also with the dismemberment of his body and its dispersion and extermination.

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    Then she gave one last burst of music. The white Moon heard it, and she forgot the dawn, and lingered on in the sky. The red rose heard it, and it trembled all over with ecstasy, and opened its petals to the cold morning air. Echo bore it to her purple cavern in the hills, and woke the sleeping shepherds from their dreams. It floated through the reeds of the river, and they carried its message to the sea.

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    The poets say some moths will do anything out of love for a flame [...] The moth takes off again, and we both step back, because he's circling at eye level now and seems to have lost rudder control, smacking into the wall on each round. He circles lower and lower, spinning around the candle in tighter revolutions, like a soap sud over an open drain. A few times he seems to touch the flame, but dances off unhurt. Then he ignites like a ball of hair, curling into an oily puff of fumes with a hiss. The candle flame flickers and dims for a moment, then burns as bright as before. Moth Smoke Lingers.

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    The problem with dreams is that they are always futuristic and gives a deceptive impression that there is still enough time to actualize them. The tragedy, however, is that you soon realize that the time you thought you had to fulfill the dreams had melted away before your very eyes.

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    ... the preacher speaks both the word of tragedy and the word of comedy because they are both of them the truth and because Jesus speaks them both...

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    The purpose of a writer is to show the beauty and tragedy of life in the reader's own mirror.

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    The problem with the snow is that it sticks to everything it touches. You can’t get rid of it. Even when it melts away, the chill still clings to your bones.

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    There are no tragedies in life, only violent coup d’etats on the state of irrational optimism

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    The quotation falsely attributed to Stalin, 'One death is a tragedy; a million deaths is a statistic,' gets the numbers wrong but captures a real fact about human psychology. (p. 220)

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    The notion, popularized by classicist and romanticist critics alike, of the Attic theatre as the perfect example of a national theatre, and of its audiences as realizing the ideal of a whole people united in support of art, is a falsification of historical truth.33 The festival theatre of Athenian democracy was certainly no ‘people’s theatre’ —the German classical and romantic theorists could only represent it as such, because they conceived the theatre to be an educational institution. The true ‘people’s theatre’ of ancient times was the mime, which received no subvention from the state, in consequence did not have to take instructions from above, and so worked out its artistic principles simply and solely from its own immediate experience with the audiences. It offered its public not artistically constructed dramas of tragi-heroic manners and noble or even sublime personages, but short, sketchy, naturalistic scenes with subjects and persons drawn from the most trivial, everyday life. Here at last we have to do with an art which has been created not merely for the people but also in a sense by the people. Mimers may have been professional actors, but they remained popular and had nothing to do with the educated élite, at least until the mime came into fashion. They came from the people, shared their taste and drew upon their common sense. They wanted neither to educate nor to instruct, but to entertain their audience. This unpretentious, naturalistic, popular theatre was the product of a much longer and more continuous development, and had to its credit a much richer and more varied output than the official classical theatre; unfortunately, this output has been almost completely lost to us. Had these plays been preserved, we should certainly take quite a different view of Greek literature and probably of the whole of Greek culture from that taken now. The mime is not merely much older than tragedy; it is probably prehistoric in origin and directly connected with the symbolic-magical dances, vegetation rites, hunting magic, and the cult of the dead. Tragedy originates in the dithyramb, an undramatic art form, and to all appearances it got its dramatic form—involving the transformation of the performers into fictitious personages and the transposition of the epic past into present —from the mime. In tragedy, the dramatic element certainly always remained subordinate to the lyrical and didactic element; the fact that the chorus was able to survive shows that tragedy was not exclusively concerned to get dramatic effect and so was intended to serve other ends than mere entertainment.

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    Therefore love moderately. Long love doth so. Too swift arrives as tardy as too slow.

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    There has to be some way this won’t end in tragedy. Why can’t Romeo and Juliet live happily ever after? It’s as if the universe won’t abide such a strong connection in such a disconnected world, as if our connection defies the natural order.

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    There are times when fear is good. It must keep its watchful place at the heart's controls. There is advantage in the wisdom won from pain.