Best 1003 quotes in «memoir quotes» category

Never in our silent moments of illusion do we sense the dark parallel that lives next to us. Nor do we suspect the carrier.

Never let a man determine the woman you want to be.

No matter what else people may steal from you, they will never be able to take away your knowledge.

Normally, it takes people about 60 to 90 minutes to reach REM sleep, so they wouldn’t enter this stage during a 20 minute nap. People with narcolepsy often enter REM sleep soon after falling asleep. If a person enters REM sleep in two or more of the five naps in eight minutes or less during the study, it’s highly suggestive of narcolepsy.

Non siamo nati solo per mangiare, né per guadagnare denaro, né per starcene senza far nulla, né per lasciare eredi, né tantomeno per invecchiare. Non siamo invece venuti al mondo perché dentro di noi brucia la fiamma di una passione? Non siamo qui, adesso, per amare i nostri cari e creare tanti bei ricordi, e portarli con noi fino a quando moriremo, senza rimpianti?

Nobody ever wanted to go to war, but if a war came your way, it might as well be the right war, about the most important things in the world, and you might as well, if you were going to fight it, be called "Rushdie," and stand where your father had placed you, in the tradition of the grand Aristotelian, Averroës, Abul Walid Muhammad ibn Ahmad ibn Rushd.

Nothing about these times makes any sense. Nothing. Putting it to words only makes it sound too simple.

Nothing changes everything.

Not everyone is capable of sacrificing his own life. So it is, always has been and always will be.

Not agreeing with something that happened in history or with another person’s traditions doesn’t provide license to eradicate or vilify entire aspects of the past.

Novins had a great impact on my way of thinking and the journalist I became. Although also a friend of Walter Cronkite, he spoke to us mostly about Murrow. He had high expectations for his students.

Nothing is a turnoff like a New York City housing authority kitchen. People want to hear about that once you're successful, not when you're living in it.

oh. she heard it too-no waters coursing, canyon empty, sun soundless- and the beast your life nowhere hiding (p. 103)

Nothing is wasted when you are a writer. The stuff that doesn't work has to be written to make way for the stuff that might; often you need to take the long way around. And if you're writing memoir you're bound to discover things about yourself you didn't realize before, may indeed prefer never to have know, but there you are: progress of some sort.

Now that young girls like my twelve-year-old friend Mai are being exposed to modern Western women like me through crowds of tourists, they're experiencing those first critical moments of cultural hesitation. I call this the "Wait-a-Minute Moment" - that pivotal instant when girls from traditional cultures start pondering what's in it for them, exactly, to be getting married at the age of thirteen and starting to have babies not long after. They start wondering if they might prefer to make different choices for themselves, or any choices, for that matter. Once girls from closed societies start thinking such thoughts, all hell breaks loose.

Now, through an act as simple as walking across a stage and collecting an empty plastic folder representing a degree, our stock had plummeted to nothing, the wretched leavings of some cosmic Ponzi scheme. A lifetime's worth of planning and training and delusion gone with the wind. Some of us were moving home to live free of charge in our parents' guest rooms, or if we were thin enough, heading west to try our luck in L.A.; others, to our collective horror, were being forced to work at actual jobs.

Oh dear heart, save yourself. will you not sing yourself to sleep humming wishes you thought you wouldn't make. will you not step into territory you know you should avoid. will you not believe words over actions because you want to trust in pretty little lies.

Oh my!! How you've grown. Soon you'll be catching the Lord's balls.

Not the first one I loved but the only one that'd keep the fire burning for a long time.

once ruffle-skirted vanity table where I primped at thirteen, opening drawers to a private chaos of eyeshadows lavender teal sky-blue, swarms of hair pins pony tail fasteners, stashes of powders, colonies of tiny lipsticks (p.39)

Not to put too fine a point on it, if you want the dream, if you want to sculpt the magic inside your head and heart for real, if you want the recognition, if you want your true identity to be glowing, taking charge and fueling the electricity of life, instead of being stuck and feeling bad. If that’s what you want, you have to let go. By which I mean bolt crop the chains of old – and THAT was by far the hardest thing I’ve done.

Once we have a true revelation that we are loved, valued, and purposed, it becomes difficult to live in such a way that contradicts this truth.

One afternoon as I just gazed at the topmost branches of those immensely tall trees I began to notice that the uppermost twigs and leaves were lyrical happy dancers glad that they had been apportioned the top, with all that rumbling experience of the whole tree swaying beneath them making their dance, their every jiggle, a huge and communal and mysterious necessity dance, and so just floating up there in the void dancing the meaning of the tree.

Once, when I was about ten, we were approaching the ranch after veering north to look at some pasturage when we saw a small barefoot boy racing along the hot road with terror in his face. My father just managed to stop him. Though incoherent with fear, the boy managed to inform us that his little brother had just drowned in the horse trough. My father grabbed the boy and we went racing up to the farmhouse, where the anguished mother, the drowned child in her arms, was sobbing, crying out in German, and rocking in a rocking chair. Fortunately the boy was not quite dead. My father managed to get him away from his mother long enough to stretch him out on the porch and squeeze the water out of him. In a while the boy began to belch dirty fluids and then to breathe again. The crisis past, we went on home. The graceful German mother brought my father jars of her best sauerkraut for many, many years.

One last characteristic of the memoir that is important to recognize is one which also applies to essays, and which Georg Lukacs described as "the process of judging." This may seem problematic to some, since...we connect it with 'judgmental,' often used nowadays as a derogatory word. But the kind of judgment necessary to the good personal essay, or to the memoir, is not that nasty tendency to oversimplify and dismiss other people out of hand but rather the willingness to form and express complex opinions, both positive and negative. If the charm of memoir is that we, the readers, see the author struggling to understand her past, then we must also see the author trying out opinions she may later shoot down, only to try out others as she takes a position about the meaning of her story. The memoirist need not necessarily know what she thinks about her subject but she must be trying to find out; she may never arrive at a definitive verdict, but she must be willing to share her intellectual and emotional quest for answers. Without this attempt to make a judgment, the voice lacks interest, the stories, becalmed in the doldrums of neutrality, become neither fiction nor memoir, and the reader loses respect for the writer who claims the privilege of being the hero in her own story without meeting her responsibility to pursue meaning. Self revelation without analysis or understanding becomes merely an embarrassment to both reader and writer.

One night she told me how much she had adored her father, loved being near him and felt proud to be the apple of his eye. But when Joy had found her sitting on his lap one day, she'd been furious, wordlessly accusing the little girl of trying to steal his affections. She told me that Joy had always been angry with her because of how much Baa and her father loved each other. It was because of that, my mother continued, that she couldn't be friends with women. Women always wanted to compete with her, she said, and she refused to compete, she wouldn't compete anywhere, and to some extent, that had ruined her career.

One should never forget the main aim in a debate, inside and outside the organisations, in political rallies, in Parliament and other government structures, is that we should emerge from that debate, however sharp our differences might have been, stronger, closer and more united and confident that ever before.

One thing I always admired about Daddy was the way he could bounce back from adversity. From the very beginning of his life, he’d had more than his share of broken dreams and disappointments. He lived through the Depression, a war, a couple of failed businesses and the deaths of two wives, but he always found a way to pick up the pieces and go on. When I’ve hit low points in my own life, I could hear his voice in the back of head saying, “Baby, you’ve got to roll with the punches.

One thing I've noticed since I quit drinking is that a person usually has two or three sets of impulses scratching away at some internal door at any given time. If you're sober--if you're alert, and paying attention to those impulses, and not yielding to the instinct to anesthetize them--you can receive a lot of guidance about where to go, what to do next in life.

ON A VAST SMOOTH BEACH ON NANTUCKET IN 1959, my father slipped a grey stone into my hand, saying, “Close your eyes. Feel the stone.” The stone was cool and silky like Grandmother’s kid gloves. He asked, “What color is it?” Any child might say grey, or think this was a silly question and say, “Oh, Daddy, let’s run” and laugh as she left footprints in the sand. But I was not any child. I was Woodie Garber’s little girl, a modern architect’s daughter, and I knew he did not want a simple answer. At five years old, I had already found comfort in the private way we saw the world. I had to discover a magic answer that would please him.

Only, I felt, by some such attempt to write history in terms of personal life could I rescue something that might be of value, some element of truth and hope and usefulness, from the smashing up of my own youth by the war.

[On getting older]: You can witness young people embarrassing themselves and get a thrill--that it's not you. You can watch them throw around their "always"es and their "nevers" and "I'm the kind of person who..." and delight in the fact that you're past that point in your life. Feeling invisible means you can float.

On his departure, he glanced swiftly back as he passed the furtive gaze of the gloved footmen.He was swept away in the momentum of shimmering glass....I had seen how the world turned, and I was beginning to feel my own power

Our destiny is aligned with our heart's innermost longing, a longing embedded within our soul before birth. This longing is a unique pattern or configuration reminiscent of the constellations in the night sky. When we express (press out) our unique configuration, it shines through us with an otherworldly luminosity, manifesting abundance in our lives and the lives of others. Our sole task is to yoke our inner destiny, thread it through our lives and weave it into the world. All else is just shadows and dust.

Only when we feel the story in each of its moments or places are we able to tell it properly.

our country is poor but our hearts are rich

Our love survived love.

Parents should keep their kids engaged in positive activities as much as possible.

Pain engraves a deeper memory.

Pen and paper have been my life, now they may herald my death. But I asked for these, the traditional tools of my trade, and to my surprise my request has been granted.

People always laugh at me when I tell them I’m scared of pencils, because they can’t fathom why anyone would fear a puncture wound or lead poisoning from a pencil, especially now that it’s impossible to get lead poisoning since they don’t actually contain lead. But those fuckers are sharp, and I have nightmares about getting cornered in a room and repeatedly stabbed with one. Somehow knives don’t frighten me, even though they are the more obvious tool for both a real and imagined stabbing.

Our eyes met. I kissed her soft face, and down the stairs they descended. Their voices blended into an echo, a murmur. I ventured barefoot into the bedroom. The dark gown lay crumpled upon the bed

Perhaps there is to be found in Pastrana the key to something which happens in Spain more frequently than is necessary. Past splendor overwhelms and in the end exhausts the people's will; and without force of will, as can be seen in so many cases, by being exclusively occupied with the contemplation of the glories of the past, they leave current problems unsolved. When the belly is empty and the mind filled with golden memories, the golden memories continually retreat and at last, though no one goes so far as to admit it, there is even doubt whether they ever existed and there is nothing left of them but a benevolent and useless cultural residue.

Part of the torture of autism is that the future is so impossibly unsure. Your child might become a fully functioning member of society and appear no different than anyone else, even if he does have to look at mouths instead of eyes and can't stand to give his own kids a bath. Or, he might be so violent that he requires institutionalization... Either way, you're expected to work your ass off for it.

Part of what makes the book bizzare is that Whitman, because he wants to stand for everyone, because he wants to be less a historical person than a marker for democratic personhood, can't really write a memoir full of a life's particularities.

Perhaps my story was never about my face but about the journey to arrive at a place of grace, which was far better than anything I could ever have imagined.

Prestasi dan kerja keras itu seperti sepasang sepatu, saling berdampingan. Oleh sebab itu, aku tak mudah menyerah. Khawatir menyesal di hari tua.

Proud," my debut novel is the result of a fevered imagination in galactic overdrive I have been unable to control. All my friends say it is bizarre and ludicrous. Music to my ears.

Popeye the Sailor Man has more cultural longevity. Only women and poofs read or write now. Otherwise, these days, no sooner has someone been sodomised by a close relative than they think they can write a memoir. The game’s up.

Quotes › Authors › D › Damian Barr › The stories we tell ourselves about... The stories we tell ourselves about ourselves are very often not really what happened. And as I started to write stuff down, I started to challenge what I thought I knew about myself, my culture, my family, all of it. It was a huge, destroying process that completely took over my life. I just wasn't here, I mean I was physically present, but I wasn't here, I was back in the 1980s.