Best 55 quotes of Chuck Jones on MyQuotes

A comedian is not a person who opens a funny door - he's the person who opens a door funny.

A lion's work hours are only when he's hungry; once he's satisfied, the predator and prey live peacefully together.

All of you here have one hundred thousand bad drawings in you. The sooner you get rid of them, the better it will be for everyone.

An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.

Animation isn't the illusion of life; it is life

Animation means to invoke life, not to imitate it.

Anyone can say 'no'. It is the first word a child learns and often the first word he speaks. It is a cheap word because it requires no explanation, and many men and women have acquired a reputation for intelligence who know only this word and have used it in place of thought on every occasion.

Artists don't need criticism, artists need love

As you become acquainted with a character you are creating, you add parts of yourself that are pertinent to that character.

Bugs is who we want to be. Daffy is who we are.

Censorship, I believe, is the most dangerous enemy to all human communication, and piety of intention is probably the most dangerous, the most virulent and the most self-satisfying.

Comedy is unusual people in real situations; farce is real people in unusual situations.

Dell is to a degree in the penalty box because expectations and probable results have gotten ratcheted down.

Disney was not a good animator, he didn't draw well at all, but he was always a great idea man, and a good writer.

Early experiences convinced me that animals can and do have quite distinct personalities.

Eschew the ordinary, disdain the commonplace

Eschew the ordinary, disdain the commonplace. If you have a single-minded need for something, let it be the unusual, the esoteric, the bizarre, the unexpected.

Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.

Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.

Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.

Fog and smog should not be confused and are easily separated by color.

Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress; smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.

Human beings will line up for miles to buy a bucket of catastrophes, but don't try selling sunshine and light - you'll go broke.

Humiliation and indifference, these are conditions every one of us finds unbearable — this is why the Coyote when falling is more concerned with the audience’s opinion of him than he is with the inevitable result of too much gravity.

If you make a fool of yourself in front of a cat, he will sneer at you, if you are sober; he will leave the room if you are drunk. If you make a fool of yourself in front a dog, he will make a fool of himself, too.

If you start with character, you probably will end up with good drawings.

If you want a midget to look like a baby, don’t put a cigar in his mouth.

If you were to draw Bugs, the easiest way is to learn how to draw a carrot and then hook a rabbit onto it

I have come to know Bugs so well that I no longer have to think about what he is doing in any situation. I let the part of me that is Bugs come to the surface, knowing, with regret, that I can never match his marvelous confidence.

I have to think as Bugs Bunny, not of Bugs Bunny.

I'm not a believer in putting designers off in an ivory tower. They need to have a voice at the table so they can identify where and why design can make a difference. We also need to understand the business issues. If we don't make our numbers this quarter, we don't earn the right to do something cool the next time.

I'm still astonished that somebody would offer me a job and pay me to do what I wanted to do.

In 1918, when I was 6 or 7 years old, radio was just coming into use in the Great War.

In timing a film, we used to assume that sneaks move slowly. This was great for animators-thirty-six to forty-eight drawings for a single step-but it was sheer hell for the pace of the picture. So the rapid tiptoe was invented.

Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.

Often Anxiety is the hand maiden of creativity.

Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about.

Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.

The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds—the birds were chickens and the flowers dried sunflowers rattling against a wall.

The close-up, according to D.W. Griffith, allows subtle changes of facial expression-the raising of an eyebrow or the flicker of a smile-to become part of the action.

The name 'Chuck Jones', according to my uncle, limited my choice of profession to second baseman or cartoonist.

The older I get, the more individuality I find in animals and the less I find in humans.

The only time a wife listens to her husband is when he’s asleep.

There is absolutely no inevitability as long as there is the willingness to think.

There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.

The rules are simple. Take your work, but never yourself, seriously. Pour in the love and whatever skill you have, and it will come out.

The whole essence of good drawing - and of good thinking, perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.

Well, directing is doing the key drawings, not the key animation, mind you.

We must not confuse distortion with innovation; distortion is useless change, art is beneficial change.

When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’