Best 456 quotes in «mortality quotes» category

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    Having always observed that most of them who constantly took in the weekly Bills of Mortality made little other use of them than to look at the foot how the burials increased or decreased, and among the Casualties what had happened, rare and extraordinary, in the week current; so as they might take the same as a Text to talk upon in the next company, and withal in the Plague-time, how the Sickness increased or decreased, that the Rich might judge of the necessity of their removal, and Trades-men might conjecture what doings they were likely to have in their respective dealings.

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    Hawks with broken wings; lions with broken paws; men with broken hearts, they all have one thing in common: they're all as sure to die as those unbroken.

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    [H]e found poetry more comforting than Scripture—and his ability to forge from his life a cogent, powerful tale of living with death.

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    he had offered some of his own background. A youth in the South. An education in the North. Bred for life in the East. Trying not to die in the West.

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    He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about...

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    Hence, in a season of calm weather Though inland far we be, Our souls have sight of that immortal sea

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    Here, Mortimer Wheeler thought, is power. And a reminder of our mortality.

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    He'd learned something. Life was booby-trapped and there was no easy passage through. You had to jump from colour to colour, from happiness to happiness. And all those possible explosions in between. It could be all over any time.

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    He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist.

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    He put his ear to his own chest and listened to the heart. How could the pulse go on, beat after beat, for all of life? No machine could run that long without a stumble. Ask not if the beating cranks are going to jam, but when.

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    Henry V: [...]For though I speak it to you, I think the King is but a man as I am: the violet smells to him as it doth to me; the element shows to him as it doth to me; all his senses have but human conditions; his ceremonies laid by, in his nakedness he appears but a man; and though his affections are higher mounted than ours, yet, when they stoop, they stoop with the like wing. Therefore, when he sees reason of fears, as we do, his fears, out of doubt, be of the same relish as ours are; yet, in reason, no man should possess him with any appearance of fear, lest he, by showing it, should dishearten his army.

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    He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

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    Hidden in the works of a mysterious clock are her many deaths, and yet the whole world is piled up before her on a banquet table again today. The timer, broken.

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    How is it possible to write one's autobiography in a world so fast-changing as this?

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    Humans are in love with the idea of our persisting,' he said. 'We fetishize it, really. Our retirement funds, our genealogies. Our so-called ideas for the ages.

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    I am in a profession that has succeeded because of its ability to fix. If your problem is fixable, we know just what to do. But if it’s not? The fact that we have had no adequate answers to this question is troubling and has caused callousness, inhumanity, and extraordinary suffering.

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    I am not a Buddhist. Yet there is a Buddhist story that I hold dear. A monk walks in a forest, and chances upon a tiger. The tiger chases him, and the monk runs until he comes to a cliff. With the tiger on his heels, the man grasps a vine and clambers down. Another tiger appears at the bottom. As the man hangs there, a mouse crawls from a crevice just beyond his reach and begins to gnaw the vine. Death above, death below, and death in between. He sees a big ripe strawberry near his mouth. It is delicious. In this moment, flying miles above the strawberry fields of California's San Joachin Valley, I think that I would change the ending of this story. Instead of giving the doomed man a strawberry, what if we leave him alone with the two tigers, the mouse, and the fraying vine? For the last time, his arms grow tired, he feels a familiar ache deep in his muscles. For the last time he catches his breath, feels a rasping in his throat and lungs. He feels this, and a thousand other things. It is all delicious.

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    I believe in movement. I believe in that lighthearted balloon, the world. I believe in midnight and the hour of noon. But what else do I believe in? Sometimes everything. Sometimes nothing. It fluctuates like light flitting over a pond. I believe in life, which one day each of us shall lose. When we are young we thing we won't, that we are different. As a child I thought that I would never grow up, that I could will it so. And then I realized, quite recently, that I had crossed some line, unconsciously cloaked in the truth of my chronology. How did we get so damn old?

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    I believe that when I die I shall rot, and nothing of my ego will survive. I am not young and I love life. But I should scorn to shiver with terror at the thought of annihilation. Happiness is nonetheless true happiness because it must come to an end, nor do thought and love lose their value because they are not everlasting. Many a man has borne himself proudly on the scaffold; surely the same pride should teach us to think truly about man's place in the world. Even if the open windows of science at first make us shiver after the cosy indoor warmth of traditional humanizing myths, in the end the fresh air brings vigour, and the great spaces have a splendour of their own.

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    I could not turn away from anyone Like you, a stranger, or refuse to help him. I know well, being mortal, that my claim Upon the future is no more than yours.

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    I'd never understood why anyone would want to live forever. It had always seemed to me that death lent life a certain poignancy, a necessary tension.

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    I do not understand how you know you only have one life if you have never died, because if you have never died, then you cannot possibly know if you would go on living a second life, or go on living no more lives.

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    I Don’t Know whether lust is a human coarseness or a human fineness: I don’t know why death holds a so sweet lure since it would take away my Body: I don’t know that I wouldn’t deny my Christ, if I had one, three times before a given cockcrow: I don’t know on the other hand that I would: I don’t know whether honor is a reality in human beings or a pose: I don’t know that I mayn’t be able to think with my Body when it is in its coffin.

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    I don't see how you mortals do it, these feelings you must endure. they will ruin you in the end.

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    I don't think you can hold in your mind the full conception of what the world is.

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    If memory is our means of preserving that which we consider most valuable, it is also painfully linked to our own transience. When we die, our memories die with us. In a sense, the elaborate system of externalized memory we've created is a way of fending off mortality. It allows ideas to be efficiently passed across time and space, and for one idea to build on another to a degree not possible when a thought has to be passed from brain to brain in order to be sustained. The externalization of memory not only changed how people think; it also led to a profound shift in the very notion of what it means to be intelligent. Internal memory became devalued. Erudition evolved from possessing information internally to knowing how and where to find it in the labyrinthine world of external memory...But as our culture has transformed from one that was fundamentally based on internal memories to one that is fundamentally based on memories stored outside the brain, what are the implications for ourselves and our society. What we've gained is indisputiable. But what have we traded away?

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    If the promised final future is simply that immortal souls will have left behind their mortal bodies, why then death still rules - since that is a description, not of the defeat of death, but simply of death itself, seen from a different angle.

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    If you can't sublimate your fear of mortality into sex with your best friend, what's it there for?

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    If you want to live forever you are dreadfully dangerous because you're not living now.

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    I have given it much thought. There seems to be only one explanation for why we are here. Why our souls choose to incarnate as mortals only to suffer for a hundred years over and over again. I now understand we were once angels who chose to manifest as humans in order to experience the imperfect and tempestuous human love. So you see, if angels couldn’t refuse love then who am I to refuse you? And so I yield. I surrender to this. Our eternal dance.

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    I knew that the Name was still with him, animating his soul, even as his body failed.

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    I know now that everything after the accident was merely a tactic to indulge in escapism and self-delusion. When you are hit by a streetcar that almost smashes you to a pulp, when you experience your own end...there is no recovery, only temporary respite, she thought. Pain made me aware of my body. My body made me aware of deterioration and death. That awareness made me old. My death sentence may have been deferred, but I now had to live with a twofold realization. Not only was I going to die—there was nothing unusual about that except that I was made to realize it at a tender age—but I knew exactly what that meant. Because I had already been through it. Unlike other condemned people for whom death is an abstraction because they have no idea what really awaits them, my stay of death came with a constant reminder, the presence of pain.

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    I leaned forward with my elbows on my knees and her book in my hands. Like a lot of things in my life, I'd just about worn it out, but it was worn out with love, and that's the best kind of worn-out there is. Maybe we're like all those used cars, broken hand tools, articles of old clothing, scratched record albums, and dog-eared books. Maybe there really isn't any such thing as mortality; that life simply wears us out with love.

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    I lost a piece of my heart and my soul with you. I buried the piece in the graveyard stretching from Yedikule to Edirnekapı where trees sustain the lives of the dead Istanbulites. Give love to love; love belongs to love. Remember in the times of roaming mortality on land and sea to take a bite of my apple when you let go of your fears. Scared humans are not alive; they inhibited their souls in the realm of the dead. Is it not funny that fear is supposed to help us survive, but it can make us stop living?! Is there a more dangerous threat than living, feeling alive, feeling full of life? Remember to keep the lines clear so you can have a piece of my apple and a cup of my coffee.

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    He wasn't supposed to die,' he cried out, somewhat desperately, petulantly, like a spoiled child. But I could hear other thoughts racing between us. Neither are you. Neither am I.

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    Holly steps back. Being warned about a ghost and seeing him are not the same. 'What did they do to you?' Some of the Anchorites laugh. Hugo looks back at his long-ago lover. 'They'-he looks about the Chapel-'cured me. They cured me of a terrible wasting disease called mortality. There's a lot of it about. The young hold out for a time, but eventually even the hardiest patient gets reduced to a desiccated embryo, a Strudlebug...a veined, scrawny, dribbling...bone clock, whose face betrays how very, very little time they have left.

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    Human life is short, we don't exist all that much. A pale brief flicker in the dark.

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    I am mortal, born to love and to suffer.

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    I asked him, “Can you breathe okay with my head on your chest like this?” His answer was “It’s the only way I know how to breathe.

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    Idag samlar vi skor och bilar, igår flintyxor. Utan tvivel har arkeologer funnit betydligt fler flintyxor än vad människan rimligtvis behövde. Jag tror att flintyxorna handlar om en längtan, kanske en rädsla. Om jag bara har tillräckligt många flintyxor, eller skor, eller ett nyrenoverat kök så kan inget ont hända. Det är den där dödsångesten igen. Den otäcka insikten att allt, allt, allt är förgängligt. Jag kommer att dö, men mina flintyxor kommer att finnas kvar. (Och de fanns ju kvar, eller hur? Men vad hjälper det?)

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    I experienced a terrible sense of my own mortality as it struck me that during my life I would only remove and replace my glasses a specific number of times. The thought filled me with sombreness to the extent that I began to weep, removing my glasses so that I could wipe my eyes, thus adding one more to whatever the final number would have been; the realisation of which cheered me. - A spectacular tale

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    If I were to believe in God enough to call him a murderer, then I might also believe enough that he, as a spirit, exists beyond death; and therefore only he could do it righteously. For the physical being kills a man and hatefully sends him away, whereas God, the spiritual being, kills a man and lovingly draws him nigh.

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    If one wishes to be instructed--not that anyone does--concerning the treacherous role that memory plays in a human life, consider how relentlessly the water of memory refuses to break, how it impedes that journey into the air of time. Time: the whisper beneath that word is death. With this unanswerable weight hanging heavier and heavier over one's head, the vision becomes cloudy, nothing is what it seems... How then, can I trust my memory concerning that particular Sunday afternoon?...Beneath the face of anyone you ever loved for true--anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other--beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone.

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    If there were something that Mother Nature or God could do with money, She or He would have sold immortality to the rich a long time ago.

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    If you don't make peace with your own mortality, you'll never know what it's like to truly be alive.

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    If you’re mortal, all they can do to you is kill you.

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    Ignorance of mortality is a comfort.

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    I had turned my mind from my survival just as a man suffering from a deadly sickness manages by a thousand tricks never to look at death squarely; or rather, as a woman alone in a large house refrains from looking into mirrors, and instead busies herself with trivial errands, so that she may catch no glimpse of the thing whose feet she hears at times on the stairs.

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    I had to ride my bike to and from their god damn plant way up north in the high-chemical crime district, and reachable only by riding on the shoulder of some major freeways. I could feel the years ticking off my life expectancy as the mile markers struggled by.

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    I have always felt insignificant while thinking in-terms of Deep time, I have always dreaded the fact that however much we struggle, the monuments we build to keep us alive even after we are gone will be erased just in a snap of fingure or a blink of an eye and we will be no more.