Best 3399 quotes in «creative quotes» category

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    Most people might think that I've come from a musical background, but nobody in my family was in any kind of band or played anything. I just picked up music from breakdancing really, that's what got me to listen to music, and in general I was just a creative guy.

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    Mother Earth is giving birth to a co-creative humanity. There's not a majority anywhere, but it's cropping up everywhere, because old leadership does not have the authority to guide us.

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    Movies don't create psychos. Movies make psychos more creative.

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    Mozart shows a creative power of such magnitude that one can virtually say that he tossed out of himself one great masterpiece after another.

    • creative quotes
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    Music business is not for everyone. But if you have it in you, you have that passion, if you have that energy in you that you really want to make something creative and make something that's going to impact the world, then go for it, do it and don't let anybody tell you no.

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    Music has always helped me stay creative and grounded because I'm traveling and shooting and trying to understand other people. Music was something I could just sit in a room and make with my friends.

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    Music is a really great creative tool for me, for different roles.

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    Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid.

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    Music is a creative endeavor so I feel the business around it should be creative, too. One size doesn't have to fit all.

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    Music has become a bigger business, and with that there is more pressure to succeed; I think that it creates a negative pressure for being creative.

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    Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.

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    Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.

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    Music is a lot more like solving an intricate puzzle with moments of pure, random creative bliss... whereas painting is much more purely random creative bliss with moments of problem solving.

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    Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited.

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    Music is very inspiring to me because "true" music releases a true energy that is just inspiring. It's like when you see a beautiful painting or a wonderful film. You just receive this creative energy, and all of a sudden you want to create too.

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    Music is very nebulous, and you can conjure up a lot of moods with music. But lyrics - they're a lot more tangible. They're much more specific. And you want to say something meaningful and creative and artistic and that tells a story and that takes people someplace else.

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    My biggest influences are strong, creative women that chart their own path, lead their own lives and drive the course of history.

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    My advice to young people in the wrestling business would be to repeat such questions to yourself as: "How am I standing out? How am I getting recognized? How am I getting over?" And if you don't have definitive answers for doing those things, you are doing it wrong. It is, essentially, on them. There is no right way to do it, and that's one of the great things about this business because you can be creative. People who say they have it figured out are wrong.

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    My creative life is a constant struggle to achieve a balance between letting things flow in and letting things flow out.

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    My combined experiences, doing different films, has made me very concerned about and interested in how you protect your creative self when the work, by default, is going to be judged by people.

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    My creative is curiosity conversations...All conversations reveal some inner truth, and the information we get from a computer is different than something that becomes a biochemical event, like a real conversation.

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    My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.

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    My background was producing and writing and performing in television when I started out, and I really missed that, that whole creative process that comes from sort of 'me' storytelling.

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    My creative process begins when I get out with the camera and interact with the world. A camera is truly a license to explore. There are no uninteresting things. There are just uninterested people.

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    My experience working with lots of creative people is that they don't lose their artistic edge when they lose a fierce level of anguish. They just create from a different place.

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    My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.

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    My experience of singing, as an actor, was that there's a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.

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    My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.

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    My definition of success is: 1.) The progressive realization of worthy goals 2.) The ability to love and have compassion 3.) To be in touch with the creative source within.

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    My Dad used to say that the balance of the world relied on all of the monks who were living outside of society in creative isolation. I don't quite understand the ascetic life or the private life or the monastic private life. But I definitely understand privacy's value.

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    My first audition I ended up getting the film was Margaret's Museum with Helena Bonham-Carter. And I went off for about two months on my own even to Scotland and hit Brittan and Nova Scotia and was surrounded by very creative people, nomadic people. And I just really loved the lifestyle and the zest for life and they kind of confused me ever since. So I've been chasing that dragon.

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    [My favourite are] the films of Agnes Varda, because of her sense of humor and the intimate, personal way she tells her stories. She is brave in taking creative risks, and her curiosity in others is so contagious. This brings me closer to the subjects in her films.

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    My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules.

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    My husband is a musician. He cooks and he's a chef but he also, he makes basement recordings. So many people in my life make basement recordings, so I feel very lucky, I'm surrounded by very creative people.

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    My hope is to continue to make new music and go with the flow. I think I'll always be creative. I want to keep making good music, put myself into positions where I need to rise to the occasion of playing in front of an audience, and continually get better at what I'm doing.

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    My inner guidance is there for me to call on anytime I need or want extra clarity, wisdom, knowledge, support, creative inspiration, love, or companionship.

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    My ideas come, and there is a deep desire to create. Sometimes it's stronger than me. Sometimes I have to do projects that I know are almost impossible but I still have to do them. It's like a muscle - if you are a dancer, you need to dance, if you are a creative person, you need to create. It's part of your life.

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    My life wasn't beautiful and creative before I became politically active. My life was totally changed when I began to struggle.

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    My life is cluttered with the most wonderful memorabilia. And wonderful creative experiences.

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    My goal as a creative person is to express truth and beauty in whatever I do

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    My message, my key, my golden key to transform your energies, is creativity. Be more and more creative, and slowly slowly you will see a transformation happening of its own accord. Your mind will disappear, your body will have a totally different feel to it, and constantly you will remain aware that you are separate, that you are a pure witness.

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    My mom always said I was the peacemaker in the family. My older brother, Eric, was the leader, the creative one. I was just his puppet.

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    My motivation is to be creative and have fun. You want to do something that keeps you on your toes the rest of your life and keeps you busy.

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    My mum is an artist and very into creative expression and freedom.

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    My mother was the most creative, fantastic person and would come up with great things for us to do. She'd buy art supplies and all of us would sit around painting. I was lucky.

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    My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife.

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    My nine-year-old daughter is very creative and colorful and trendy.

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    My mum and I are, in many ways, quite similar. We're both creative, gregarious, and energetic.

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    My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.

  • By Anonym

    My painting technique has not changed that much over time, although perhaps I am painting tighter and with more detail, in spite of a desire to loosen up and paint more expressively. One thing that has changed is my daily routine. I used to paint quite late into the night. It was a time I felt the creative spirits most active. As I have aged, my circadian rhythm has changed. I like to paint early in the day when I can avoid falling into the soul-sucking email world. Early dawn feels very similar to late night.